“Seth material” search engine (Jane Roberts)

Now in your dream, you were quite clearly seeing the threshold between physical reality and the magical dimension in which that physical reality has its source. You were being shown — or showing yourself — the difference in the rules or assumptions between the two. The dog’s desire for food led him to walk magically through the door, for the desires of the natural creature are satisfied (pause) with an ease that has nothing to do with your ideas of work. What I am getting at is the introduction of the concepts of a different kind of work — very valuable, vital work that is performed at another level and in a different fashion.

You would both feel better in it if it showed more of your other interests. For Ruburt, some books or bookcases. It is a room that shows no evidence of his work, you see. It should hold some of your current paintings — but in some way it should be tied in with your lives more.

“Later in the dream, maybe at night, I was sitting on a couch with some close friends, as at a small party. My brother Linden, from out of town, could have been there. The room didn’t look much like our living room at the hill house. Jane was present. I believe we had the TV on. Either a character on the screen said something, or someone in the room did — whatever, it triggered my memory of the Gus episode. I began to laugh and squirm with glee, telling our friends that I’d experienced something great, and that I could show them the physical evidence of it. I didn’t get to actually show the hole in the glass, though, but for some little time I kept laughing and saying, to everyone’s surprise and amusement, that I’d really had that adventure this morning.”

“The dream takes place in the kitchen, a room devoted to physical nourishment. Gus, the neighbors’ dog, in an intense desire to get the food Rob holds, walks right through the glass door — signifying the importance of desire in bringing about the magical satisfaction of needs. Gus probably also represents the ‘creature’ magical self, showing its creature characteristics; that it’s natural, after all.

My dream of August 16 was difficult to visually present: How could I show my contact with Gus through the seemingly solid glass — show that, as Seth says, desire is action? I first sketched the dream late in August, but did’t finish the painting of it until December.