1 result for (book:tma AND heading:"session four august 18 1980" AND stemmed:present)
[... 10 paragraphs ...]
The intellect is basically able to handle many kinds of information, and information systems. It is far more flexible than you presently allow it to be. It can handle several (pause) main world views at once, realizing that they are each methods of perceiving and approaching reality. To some degree historically speaking, that sort of situation operated in the past when — comparatively speaking, now — people realized that there was indeed an inner world of complexity and richness that could be approached in certain fashions, one that existed alongside with the physical world, so that the two intersected. Certain approaches worked in one area, and others worked in the inner reality.
[... 1 paragraph ...]
All of this applies to your situation, for I want you to thoroughly understand, intellectually and emotionally, the errors of current thought, so that you can see that our material is indeed providing you not only with “creative material,” but with a more factual presentation of the framework in which you have your existence.
[... 1 paragraph ...]
It understands, for example, that clairvoyant material is a part of the personality’s overall characteristics, so it is not afraid of perceiving it — and it is able to separate such information confusion from present physical sense perception. Orderliness, then, is one of its main characteristics. When it is given only one world view, and only one group of assumptions, its orderly nature causes it to throw out all information that does not fit. It is almost forced to make an orderly picture, say like a jigsaw puzzle picture, while being denied half of the pieces.
[... 31 paragraphs ...]
“Later in the dream, maybe at night, I was sitting on a couch with some close friends, as at a small party. My brother Linden, from out of town, could have been there. The room didn’t look much like our living room at the hill house. Jane was present. I believe we had the TV on. Either a character on the screen said something, or someone in the room did — whatever, it triggered my memory of the Gus episode. I began to laugh and squirm with glee, telling our friends that I’d experienced something great, and that I could show them the physical evidence of it. I didn’t get to actually show the hole in the glass, though, but for some little time I kept laughing and saying, to everyone’s surprise and amusement, that I’d really had that adventure this morning.”
[... 10 paragraphs ...]
My dream of August 16 was difficult to visually present: How could I show my contact with Gus through the seemingly solid glass — show that, as Seth says, desire is action? I first sketched the dream late in August, but did’t finish the painting of it until December.