1 result for (book:tma AND heading:"session four august 18 1980" AND stemmed:live)

TMA Session Four August 18, 1980 6/59 (10%) Gus glass magical assumptions door
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session Four: Science and Science’s Picture. Desire as Action
– Session Four August 18, 1980 9:10 P.M., Monday

[... 21 paragraphs ...]

This will allow you to include the feeling of inner, magical “work” into your calculations. It would also begin (underlined) to give you a feeling for the magical support that upholds you both, and your lives — the support that Ruburt can count upon, and that can bring about the solution to his physical difficulties. Here, again, the vital word is ease or effortlessness. If you want to (long pause) feed a dog in the physical world — and he is on the other side of the door — you must open it. In the inner world you or the dog can walk through the door without effort, because desire is action. Desire is action.

[... 7 paragraphs ...]

A few mundane but helpful notes. He must of course be allowed some uninterrupted writing time. Neither of you understand your attitudes toward the bedroom. Both of you avoid making love in it. It is the one room that is not (pause) a part of your overall activities, of course. It seems isolated from your lives. You do not fix it up, for example. This is partially the result of old ideas, where sleep is a separate, isolated part of life, or of the personality.

You would both feel better in it if it showed more of your other interests. For Ruburt, some books or bookcases. It is a room that shows no evidence of his work, you see. It should hold some of your current paintings — but in some way it should be tied in with your lives more.

[... 1 paragraph ...]

You enjoy the living room for a nap because of its sensual reaches. Your metabolisms are different, quite naturally, and under the usual situations, given your lunch hour, Ruburt needs a good meal, sometimes certainly between five and six at the latest. Otherwise he experiences a natural physical irritation that is complicated then by other issues. You need your painting time, as you have discovered. He enjoys the twilight hour in his writing room, and though the seasons have something to do with that, still it is a good idea when possible. Your own reassurances are very helpful — and remember that they operate on other than physical terms.

[... 13 paragraphs ...]

“Later in the dream, maybe at night, I was sitting on a couch with some close friends, as at a small party. My brother Linden, from out of town, could have been there. The room didn’t look much like our living room at the hill house. Jane was present. I believe we had the TV on. Either a character on the screen said something, or someone in the room did — whatever, it triggered my memory of the Gus episode. I began to laugh and squirm with glee, telling our friends that I’d experienced something great, and that I could show them the physical evidence of it. I didn’t get to actually show the hole in the glass, though, but for some little time I kept laughing and saying, to everyone’s surprise and amusement, that I’d really had that adventure this morning.”

[... 7 paragraphs ...]

Jane did such a fine job interpreting the dream (in my estimation!) that I didn’t bug her for more details. Later, however, I wished that I’d asked her a few questions. I think she’s quite right about the naval officer being a symbol for the more conventional, or rigid, rational self. I would have liked my wife’s comments on my brother Linden being in the dream. He’s a year younger than I am, and lives with his family down in Pennsylvania. He’s become quite religiously oriented, as is his right. I think that as I joyfully talked about my magical exploration in the dream, I was telling him something like: “Hey, there’s more than one way to explore the self, to be religious!” And I think that Linden and I were in correspondence in the dream state, and that in some way he got the message. …

[... 3 paragraphs ...]

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