“Seth material” search engine (Jane Roberts)

(9:29.) The intellect could handle both approaches, operating with separate assumptions. There were separate assumptions that applied to different realities. I do not mean to idealize those times. In so-called modern ages, however, the intellect has been stripped down, so to speak. Science perceived the spectacular complexity of exterior reality, but turned its sights completely away from any recognition — any at all — until it regarded subjectivity itself as a mere throw-away product, accidentally formed by a mindless matter.

Ruburt wanted to make sure that he was right. (Long pause.) He tried to go ahead and not go ahead at the same time. He tried to be daring and cautious, brave and safe. This applies to some extent to each of you, of course, precisely because you were gifted strongly both intellectually and intuitively. You tried to rationalize your creativity, both of you, to some extent. The rational line of thought finds creativity highly disruptive, so in those terms as highly gifted creative people, you would have encountered some difficulties in any case.

This will allow you to include the feeling of inner, magical “work” into your calculations. It would also begin (underlined) to give you a feeling for the magical support that upholds you both, and your lives — the support that Ruburt can count upon, and that can bring about the solution to his physical difficulties. Here, again, the vital word is ease or effortlessness. If you want to (long pause) feed a dog in the physical world — and he is on the other side of the door — you must open it. In the inner world you or the dog can walk through the door without effort, because desire is action. Desire is action.

Ruburt feels hopeless at times because the assumptions of the rational approach often lead in that direction, and because he has not been certain enough of himself in those other areas to get the kind of long-lasting results he wants. This applies to both of your attitudes at times.

A few mundane but helpful notes. He must of course be allowed some uninterrupted writing time. Neither of you understand your attitudes toward the bedroom. Both of you avoid making love in it. It is the one room that is not (pause) a part of your overall activities, of course. It seems isolated from your lives. You do not fix it up, for example. This is partially the result of old ideas, where sleep is a separate, isolated part of life, or of the personality.

You would both feel better in it if it showed more of your other interests. For Ruburt, some books or bookcases. It is a room that shows no evidence of his work, you see. It should hold some of your current paintings — but in some way it should be tied in with your lives more.

Ideally, a new bed would be advantageous, both physically and symbolically. Relaxation — laying down, for example — would be far more easily assimilated on Ruburt’s part, also, if a cot or equivalent — a daybed or whatever — were a part of his writing room, or in the breezeway.