1 result for (book:tma AND heading:"session five august 20 1980" AND stemmed:georg)
[... 23 paragraphs ...]
Tam3 made the decision several times, but early in the game he decided that the book (Sue’s “Conversations With Seth”) should feature illustrations. George [Rhoads] was passive in the arrangement. Elaboration does not seem necessary. You can have it if you want.
[... 1 paragraph ...]
Tam wanted illustrations for a first book. When he read of George’s sketches he instantly thought of illustrations. Sue, of course, wanted to do George a favor, to make up for old issues. There were other probabilities according to George’s situation, so that the affair at least opened up the idea that George could do other work for Prentice if he needed money. This gave him a sense of reassurance.
[... 2 paragraphs ...]
(10:08 P.M. Even though it was a shorter session, Jane’s delivery had often been intent and emphatic. A good session, I told her. It’s the next night as I type the session, of course. Today I sent Sue a copy of a recent page of Seth’s material on the intellect, and a list of the questions about George that Seth discussed above. I expect her answers to tally with Seth’s.
[... 7 paragraphs ...]
Artist George Rhoads also attended ESP class. To Seth, George and Jane and Sue and I are “counterparts” — entities psychically connected to each other, and to other men, women, and children alive now in this country and in others. The connections can be conscious, unconscious, or both. Many of us will never meet physically, but as a group all of us are exploring related lifetime themes in ways that no individual can do.
[... 2 paragraphs ...]