1 result for (book:tma AND heading:"session fifteen octob 1 1980" AND stemmed:ruburt)

TMA Session Fifteen October 1, 1980 6/46 (13%) daytime rhythms dinner agriculture hypothesis
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Session Fifteen: The Natural Person and the Natural Use of Time
– Session Fifteen October 1, 1980 9:31 P.M., Wednesday

[... 20 paragraphs ...]

(9:44 in a fast delivery.) Give us a moment… .(Long pause.) To some extent Ruburt’s dissatisfaction with laying down after dinner also means that he is learning more about his own natural rhythms, for he does feel accelerated at that time, and by the evening, as you do. This is because many of the beliefs that you have individually and jointly are somewhat relieved in the evening, in that they so often apply to the day’s activities, when the rest of the world seems to be engaged in the nine-to-five assembly-line world experience.

[... 1 paragraph ...]

That is also why it is easier, generally speaking, for Ruburt to receive such information in the evening, because you are jointly free of limitations that might hamper you at other times of the day — not simply that visitors might arrive more usually then, but because you yourselves are less visited by preconceptions of what you are supposed to do in any given hour of the day.

[... 4 paragraphs ...]

Ruburt has some inclinations in that direction, as do many creative people, but these rhythms are often nearly completely overlaid by culturally-learned ones. Cultures that were night-oriented (pause) appreciated the night in a different fashion, of course, and actually utilized their consciousnesses (pause) in ways that are almost nearly forgotten. I believe there are ancient fairy tales and myths still surviving that speak of these underworlds, or worlds of darkness — but they do not mean worlds of death, as is usually interpreted.

[... 3 paragraphs ...]

You must remember, of course, that the use of clocks is a fairly recent phenomenon. (Pause.) Men thought in terms of rhythms of the time, or of flowing time, not of time in sections that were arbitrary. So as far as creaturehood is concerned, you have adapted to a time environment that you yourselves have formed. Creative people, again, are often aware of those connections, at least at certain levels, and Ruburt in particular has always felt that way to some extent. You have largely buried your own natural feelings in that direction.

[... 2 paragraphs ...]

Those are Ruburt’s designations, not mine. Do you have a question?

[... 1 paragraph ...]

The sessions from the beginning were based upon the natural flow of Ruburt’s energy, taking advantage of it in such a fashion.

[... 8 paragraphs ...]

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