1 result for (book:tma AND heading:"session fifteen octob 1 1980" AND stemmed:creativ)
[... 16 paragraphs ...]
The fact that he is now thinking of walking after dinner is an obvious advance. His irritability is somewhat natural — but also based on the idea, still, that when he is laying down that is dead time (with amusement), or useless time, enforced inactivity. It would help, of course, if he reminded himself that his creative mind is at work whether or not he is aware of it, and regardless of what he is doing, and that such periods have the potential, at least, of accelerating creativity, if he allows his intellect to go into a kind of free drive at such times. You might have him become more aware of when he actually becomes tired, or uncomfortable, so that he does lay down then.
[... 10 paragraphs ...]
Ruburt has some inclinations in that direction, as do many creative people, but these rhythms are often nearly completely overlaid by culturally-learned ones. Cultures that were night-oriented (pause) appreciated the night in a different fashion, of course, and actually utilized their consciousnesses (pause) in ways that are almost nearly forgotten. I believe there are ancient fairy tales and myths still surviving that speak of these underworlds, or worlds of darkness — but they do not mean worlds of death, as is usually interpreted.
[... 3 paragraphs ...]
You must remember, of course, that the use of clocks is a fairly recent phenomenon. (Pause.) Men thought in terms of rhythms of the time, or of flowing time, not of time in sections that were arbitrary. So as far as creaturehood is concerned, you have adapted to a time environment that you yourselves have formed. Creative people, again, are often aware of those connections, at least at certain levels, and Ruburt in particular has always felt that way to some extent. You have largely buried your own natural feelings in that direction.
[... 13 paragraphs ...]