1 result for (book:tma AND heading:"introduct by jane robert" AND stemmed:over)
[... 6 paragraphs ...]
I was between projects after The God of Jane. In the meantime I’d read over the 17 chapters of my unfinished novel, Oversoul Seven and the Museum of Time, and looked over groups of notes for possible books, but nothing hit the spot. I asked for some ideas from my “natural spontaneous self,” and on August 5, 1980, I dreamed that a moving van with me in it was itself being moved by a larger vehicle ahead of some planned time. There was a squabble over seating arrangements which was finally resolved. I took that to mean that I would shortly be on the move again creatively, and to be prepared, so I had Rob help me move all my writing materials from the small breezeway where I’d finished The God of Jane, into the new patio back room, as a gesture of being ready to start over.
So on August 6th I sat in the patio-room with fresh paper, fresh typewriter cartridge, and hopefully fresh mind, looking over my interpretations of Rob’s latest dreams. It was a very hot August afternoon. The pieces of the world fell neatly into their proper places. The pictures of the moments clicked together as they usually do, each instant precise, yet leading into another. The motion seemed to be all exterior, from the too-warm wind that blew into my small studio from the back hill, to the shadows of moving foliage outside that flickered across the floor.
[... 14 paragraphs ...]
It was okay. After the layoff, there was Seth poised psychologically once again (for over the thousandth time). At the threshold of my mind those “psychic gears” turned. Rob was ready with his notebook and pen. I took a sip of my wine and ice. The fan whirred. A slightly cool breeze came in through the open doors and windows. Then I took off my glasses, “turned into” Seth, and began to speak. Bare legs propped up on the coffee table Rob sat, pen poised, and the session started.
[... 1 paragraph ...]
1. Jane Roberts writes in The God of Jane: “Since late 1963, I’ve clocked approximately 4,000 hours of trancetime, during which the Seth sessions have been held twice weekly. … My trancetime is more concentrated than regular time. I’m not unconscious but conscious in a different way, at another level … This state of perception has nothing to do with classical pathological dissociation; and its products — Seth’s five books — display a highly-developed intellect at work and give evidence of a special kind of creativity. In those trance hours I ‘turn into someone else.’ At least I am not myself to myself; I become Seth, or a part of what Seth is. I don’t feel ‘possessed’ or ‘invaded’ during sessions. I don’t feel that some superspirit has ‘taken over’ my body. Instead it’s as if I’m practicing some precise psychological art, one that is ancient and poorly understood in our culture; or as if I’m learning a psychological science that helps me map the contours of consciousness itself … after all this time, I’m finally examining the trance view of reality and comparing it to the official views of science and religion. …
[... 7 paragraphs ...]