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TMA Introduction by Jane Roberts 4/33 (12%) magical Rob camera trancetime whirred
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Introduction: A Day in which Magic Comes to Life and Seth Describes What “The Magical Approach” to Life Is

[... 4 paragraphs ...]

As Seth I’ve produced five previous books: Seth Speaks; The Nature of Personal Reality; The “Unknown” Reality, Volumes I and II; The Nature of the Psyche; and The Individual and the Nature of Mass Events, and Seth is halfway through a sixth book: Dreams, “Evolution,” and Value Fulfillment. These beside my own twelve books. Seth doesn’t answer mail though, or do any typing, and so as a result of those trance hours Rob and I spend a good deal of our conscious energy dealing one way or another with the effects of that trance life.

[... 1 paragraph ...]

I was between projects after The God of Jane. In the meantime I’d read over the 17 chapters of my unfinished novel, Oversoul Seven and the Museum of Time, and looked over groups of notes for possible books, but nothing hit the spot. I asked for some ideas from my “natural spontaneous self,” and on August 5, 1980, I dreamed that a moving van with me in it was itself being moved by a larger vehicle ahead of some planned time. There was a squabble over seating arrangements which was finally resolved. I took that to mean that I would shortly be on the move again creatively, and to be prepared, so I had Rob help me move all my writing materials from the small breezeway where I’d finished The God of Jane, into the new patio back room, as a gesture of being ready to start over.

So on August 6th I sat in the patio-room with fresh paper, fresh typewriter cartridge, and hopefully fresh mind, looking over my interpretations of Rob’s latest dreams. It was a very hot August afternoon. The pieces of the world fell neatly into their proper places. The pictures of the moments clicked together as they usually do, each instant precise, yet leading into another. The motion seemed to be all exterior, from the too-warm wind that blew into my small studio from the back hill, to the shadows of moving foliage outside that flickered across the floor.

[... 6 paragraphs ...]

I told Rob what I’d been thinking just before he came in. My hunch is that because of my state of mind — interpreting Rob’s dreams, and my reading of his notes, I was in a particular kind of correspondence with him, or with his state of mind, that facilitated the inner communication. We talked about it.

[... 17 paragraphs ...]

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