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TMA Foreword by Robert F. Butts 11/15 (73%) Laurel publishing Amber Allen Library
– The Magical Approach
– © 2011 Laurel Davies-Butts
– Foreword by Robert F. Butts

Displaying only most relevant fragments—original results reproduced too much of the copyrighted work.

¶3

Jane and I had corresponded with Laurel Lee Davies for several years. [...] She helped me carry on the massive project of continuing the work that Debbie Harris had begun: copying many more of the thousands of pages of Jane’s and my work for the archives of the library at Yale. [...] She’s worked as a researcher of Jane’s material for The Magical Approach — the book she has “most dreamed of working on.” [...] Yet even so, as the years passed I began to better see that recovery from Jane’s death was going to take the rest of my life; and that within the framework of simultaneous time uncounted millions of others had experienced that truth, were doing so now, and would be doing so. Maybe some day I’ll write in detail about Jane’s and my lives — but not now!

¶1

My wife, Jane Roberts, dictated The Magical Approach for Seth, the “energy personality essence” she spoke for in a trance state, in 1980—but the pressures of Jane’s illness, and of our producing other books, kept us from publishing it quickly. Then Jane died in 1984, at the age of 55. [...] Janet Mills, the publisher and editor for the new editions of Jane’s books, suggested that I write a bit about the situation. [...]

¶2

[...] The day after Jane died I went back to work, finishing the last two Seth books to meet long-overdue publishing deadlines. Jane’s and my dear friend, Debbie Harris, began making copies of all of the Seth sessions, plus the transcripts of Jane’s ESP classes, for the “collection” of Jane’s and my work in the archives of Yale University Library. [...]

¶6

For several years after Jane’s death, I explored possible publishing ventures with old and trusted friends — people who, like Richard Kendall and Suzanne Delisle, sincerely wanted to see Jane’s and my work kept in print. Richard had been a member of Jane’s ESP class in the 1970s. [...] Maybe Jane and I had already offered the best we could, for whatever our efforts were worth. [...]

¶4

[...] So is Tam Mossman, Jane’s editor at Prentice-Hall. [...] In the meantime I’d gone back to painting, which I’d given up for the last two years of Jane’s life. [...] I did no writing except for the “grief notebooks” that I composed about Jane’s passing and my reactions to that event. [...]

¶11

Sue Watkins, who described Jane’s ESP class so well in her two-volume Conversations with Seth, recently began doing research for Conversations with Jane Roberts: A Multidimensional Memoir.

¶7

[...] Like Laurel, both women are passionately interested in keeping Jane’s work in print. [...]

¶8

[...] And Bob Terrio, of Bob Terrio Productions, marketed a video, The Seth Phenomena, in which I discuss Jane’s and my work.

¶9

I’m still not finished with the duplication of Jane’s and my papers for Yale University Library. [...]

¶10

For some time now Rick Stack and I have discussed a most intriguing project: the private printing, by Rick, of the complete transcripts of those first 510 sessions that Jane held before the publication of The Seth Material in 1970. [...]

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