1 result for (book:tes9 AND session:501 AND stemmed:outward)

TES9 Session 501 September 17, 1969 4/110 (4%) Adam bridge Tam rfb Eve
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 501 September 17, 1969 9:25 PM Wednesday

[... 17 paragraphs ...]

You are beginning to form this psychological bridge. Now when you form it you do so with the inner realization that it reaches from you outward and you expect something to be on the other side, or the bridge would be useless. Do not, however, identify the bridge with what waits on the other side. The bridge is a living psychological bridge because in this type of communication feelings and emotions are involved. A steel bridge would get you nowhere. You are weaving threads of psychic energy, insights, and realizations, and also certain personality characteristics to form this bridge outward. Now you are beginning at your end and in doing so you form the initial version of your Adam. As this, Adam is highly legitimate and an aid.

[... 16 paragraphs ...]

If, however, you expect too much of him without giving time for this structure to form, you drain him of energy and not the other way around. For you have created him with a certain amount of energy and you cannot demand more than you have given him. At the same time, the psychological structure has not reached far enough outward so that he is gathering enough energy from our symbolistic other side: and at times you are asking him to make the leap. And then you are upset if instead he falls down.

[... 36 paragraphs ...]

Now the sound of the music will suggest colors to you and the colors themselves may appear in your mind as designs. Now all of this involves use of the inner senses, it involves an examination of the inner world. You must look inward with as much wonder as you look outward, and then the two worlds merge. Do you follow me?

[... 11 paragraphs ...]

On our young bride’s part... a spontaneity in passivity. Allowed to be passive you feel free to be spontaneous. Passivity, however, should be balanced on your part by more assertive action as far as habitual reactions are concerned. Some of this assertiveness can be met through artwork but it must be a going- out from self: a self-assertion, an expression of self—but directed then outward.

[... 25 paragraphs ...]

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