“Seth material” search engine (Jane Roberts)

Now taking our analogy of a long bridge, you are now here. (Seth-Jane gestures indicating Tam’s end of the imaginary bridge.) So with your Adam you must either take him and form the rest of your bridge, with the joy of adventure, not always knowing who may be at the other end, forming their own structure; or play around with the Adam version in which case you will get no further than you are. I am not telling you to do one thing or the other. I am merely pointing out the possibilities.

Give me a moment. I believe that the information was correct as far as Adam knows of it. I will have to check. There is a thirty-year difference in birth dates. I will let you know and Ruburt can give us the information... I believe I am with the wrong side of the family (pause). I am not sure here but we do seem to have an uncle. Now this is supplementing the material given by Adam. We have an uncle who deals with vestments...if the term is vestments, having to do with the making of garments of a ceremonial nature.

I have several suggestions as always. Our new bride here is not so worried about psychic phenomena. She is only worried about Adam. This will pass in time. She needs a part to play: something in which you can participate, and develop yourself (directly to Eve). You would do well to try experiments in the out-of-body state. You have your own abilities to develop. You do not have to be an Eve to Adam.

You can also find many connections between psychic activity and color and painting in which you are interested. Now I will tell you, you have never seen the colors of a rainbow unless you have seen them from an out-of-body state. If you want to see the colors of a flower, or my dear friends, of an apple, you must get out of your body to do so. Now you do not need to feel that his psychic abilities close you out, or that you do not have your own: or that his abilities will draw him away from you, for they would only bring him closer. Your own abilities are here to be used also, and in your own unique fashion.

I go rummaging through my own acquaintanceship with artists for his benefit, and I pass some of this on to you. There is a native spontaneity here, in our lady, that deals well with transparent color, that relates clearly and simply. And I believe she has been worried about what she may consider in the back of her mind as Adam’s murky quality. I hope we are clearing that up in this session. She has also picked up your thoughts toward Adam (to Tam) and to some extent been influenced by them. If you have ever felt threatened by Adam then she would feel this threat doubly. Do you follow me?

Now, he would remain the individual that he is, as much as anyone ever remains the individual that he is. He would not turn into Adam. I would make a comment here, but I would not.

I would see nothing wrong, myself, with the transformation. Now: to some degree you see you are intuitively aware of Adam’s true nature (to Eve here), and on an intuitive basis you even relate to the Adam you sense within Aerofranz, but you do not realize when you are doing this. Adam in this respect would be the superior qualities that you sometimes sense in him, the Aerofranz that you know... This does not mean that Aerofranz on his own does not have superior qualities. (Humorously.)

I mentioned some conditions existing in your work environment. (Eve.) Give us a moment. There seems to be a shifting on three different layers: the first shift as mentioned earlier beginning in approximately three months, followed by two more shifts, this both of policy and some personnel. If you ride along with it you will be all right. Now we are speaking here of probabilities. At the time of the second shift you could decide to leave, misinterpreting what is going on. There seems to be an older woman connected with the second shift. She is approximately middle-aged, far older than you. I am not sure here, the name of Catherine comes to mind.

When the process is finally over you will be two steps ahead of where you are now, and two steps along this way. You will not directly be connected with the same department, but someway two steps away from it, but you will also be two steps higher. Now one of these shifts may also concern a young man, he will either suddenly leave or it will be a young man suddenly arriving on the scene. I get a T initial here. And in the background the name of Tom, or a last name, Thomas.

(Voice getting pretty strong in here.)

Now I speak through Ruburt. Looking at him you cannot see me and yet you know that I am here. (Voice very loud. Voice continues quite loud through the following passage.

You are a you who has a consciousness and you can use this consciousness as you will. You can send it out, use it like a flashlight. You can light a universe with it. You are not your consciousness. You are a self who is conscious and has a consciousness. Now I want all of you, including my friend here (Rob) to contemplate the part of you who has this consciousness to use. There will seem that there is no place to go beyond that point. And there will appear an apparent dilemma. And yet the dilemma will lead to a further discovery. And by the time you know enough to throw that question back at me, that I have just asked you, then I will have more to tell you concerning the initial creative dilemma of which I have spoken.

And I want you all to know that this is no recording and I have not prepared my lesson ahead of time. I have indeed come for a personal encounter, and to greet our guests and you must admit that for a gentleman as old as I there is some vitality left in me yet. (Very loud in here.)