“Seth material” search engine (Jane Roberts)

Give me a moment. (Pause. ) Your own tendencies (to me) are general ones, against personal encounters, before such encounters are made. They are initial defenses, and oftentimes they are highly negative. However, once a personal encounter has been made, then you accept it for what it is, and respond positively. Do you follow me?

You know very well what you are doing, in other words. The material is to be a force in your world. (Pause.) You are not to avoid contact, and to do us full justice this would be impossible. Now give us a moment.

This does not mean that either of you need travel about in a constant flurry of lectures. It does mean that the psychic activity within the sessions carries its own psychic reality. It reaches out and draws others to you. (Pause.)

Some of your best sales, so to speak, will be made as a result of contacts that have been built up in other ways. There will be several men you will meet in this same manner. Two men, (pause), each of whom will serve as a basis for a rather unique kind of portrait work. You will see both of them very clearly as they appeared in several lives.

Ruburt will address the group in any case (pause), and many times in the future. Jim Crosson does not have that much time. (Pause.) Ruburt should make no future hard decisions as to what he will and will not do, but give the intuitive self freedom in such cases.

(Pause.) The entire future involvement with that group was incipient on the day that Jim Crosson read Ruburt’s first book.

Give us a moment. (Long pause, eyes closed, at 9:58.)

Of Robert: I believe G: Robert G. (Pause.)

A torn ligament. A man with a mustache and rather large ears, fairly close to her; dark mustache (pause), with a Harvard or like background. A brother and two sisters.

Ed. This could have been her husband, or a man close. (Ed was the name of BT’s first husband, she told Jane over the phone.) A middle name beginning with B, or his nickname with a B who worked in a building that from the outside looks like a large (pause), building almost entirely of unbroken plate glass windows on the ground floor, such as those that cars might be displayed in. A corner building, I presume, since I see one side of the building, where the other side is flush to others.

(Pause.) I believe that Sybil Leek is the connection between those two women here.

Crosson will outdo himself. He is using the invitation to prove to himself that he is sought after as a lecturer. (Long pause.)There are some family problems on his mind. His wife is anxious for him, and the engagement will give him new impetus that would carry him for several years. Without it he will deflate like a balloon; but he is up to the challenge. He will do a good job.

(Long pause at 10:30.) There is another man who could share the program with him, the one mentioned in our earlier session (the 496th), that was thought not available. Ruburt would take the program away from Crosson quite without meaning to do so. Do you follow me?

The divorce was a distortion (pause), not of memory but of interpretation, representing a psychic separation that occurred between you, not in 1964 but later, when Ruburt became ill—and to some extent (underlined) you did hold him back, as you know from the work with the pendulum that you did. You were for that time divorced from each other in attitude, and lacked communication.

This was the knowledge that the woman had of Ruburt’s past life. Ruburt interpreted it in literal terms as a divorce. Now give me a moment. (Pause.) This obviously was the second dream.

Ruburt did see the Buffalin man. The wife in astral form was also here. Ruburt followed Buff to another layer of existence, (pause), with many who had died that evening. Ruburt formed the prosaic background himself however.

The new and important development therefore was that he went out to seek me. He asked the woman if she knew me, but she did not. They were sending someone to find me. (Pause.) Their state is not one where they can instantaneously communicate with me, or I with them.