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TES9 Session 496 August 18, 1969 9/78 (12%) Foss Crosson gallery Reverend Fox
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 496 August 18, 1969 9:10 PM Monday

[... 20 paragraphs ...]

Sevens strongly in the numbers of the address, and zero. At first you will not think this is a place for you. They will not seem to show your kind of work, but this is precisely why they will want to do so. They do not have anyone in their stable who can do good work with figures, or of an objective nature.

Now listen: do not take it for granted that those who do not show your type of art are against it, or will not want it. In New York now, and across the country, it is difficult to find objective work that is not highly stylized or sentimentalized.

Many galleries therefore do not carry objective work because the defects are so clearly seen. They take instead planned distortions, which can cover up such inadequacies, or frankly abstract works.

[... 2 paragraphs ...]

They will be particularly interested in your people, far more than in landscapes, and in certain of your fruits. You will be doing I believe more work with fruit, of a different nature. I believe that this will involve a magnification of the work you have done with fruit. An apple for example as it might be seen by a fly. A peach as it might be seen, or a pear, by a squirrel.

[... 4 paragraphs ...]

There is something elevated here. Now I do not know. This could refer to lofts. It is more fashionable than the other gallery, or more “in.” It deals in larger works than you are now producing, as a rule.

[... 10 paragraphs ...]

It should also include some other reproductions of your paintings as they apply to your psychic personalities. This will also help publicize your own work. It will also add interest to the book. I told you that your portrait of an old woman was yourself as a mother, and that should be included, as should the portraits of Ruburt and Joseph done together.

Now if you follow my advice, when you have guests or when you are at work, whenever you see people, you will then try to get an inner impression of the selves that they have been, or of the entity of which they are part.

You can do this, and well, and it will allow you to work with people who are independent of this place and time. I mentioned this once earlier. Give us a moment. (Pause. Then humorously:) Your painting of me can become famous, in time. Do not sell it.

[... 6 paragraphs ...]

There will be no complications resulting from such a meeting of an adverse nature, if you feared this. Some good contacts would be made. They will be made in any case. Ruburt should not plan to do trance work. (As suggested by Reverend C., on stage.) His main energies remain with the material. He is an excellent teacher however, and a good speaker.

[... 26 paragraphs ...]

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