“Seth material” search engine (Jane Roberts)

(Before the session I had asked Jane if Seth could give me some more data on the art and gallery material begun in the last session. I was going to try to put it to practical use, I told Jane not to try too hard, though, to get more data. She said that the impetus would be strong to help me on these subjects. I was a little surprised to hear Seth start right in on the gallery data.)

The man has been himself an artist, therefore. He may be the uncle of the man who runs the gallery, per se, but he has a strong voice in the gallery. At one time connected with the school of ashcan art. Do you follow me?

(9:44. Jane was slow coming out of trance. She said traffic noise had bothered her at the session’s start, until Seth had me turn on the cooler. Then her trance had been deep, though she remembered the cat episode.

(Then Jane surprised me by saying that Fox was not the name she had spoken, re Jerry A. She was very definite—that Fox wasn’t correct, saying I had misunderstood her. She thought the name was Foss, instead, although she was not as positive here. We speculated about Foch or Foche; Jane said the name was one syllable with a softer sound than Fox—hence Foss. We thought Seth would clear the matter.

Ruburt’s book should include, as it will, a photograph of Ruburt. It should also include a reproduction of your painting of me, in a prominent place.

You can do this, and well, and it will allow you to work with people who are independent of this place and time. I mentioned this once earlier. Give us a moment. (Pause. Then humorously:) Your painting of me can become famous, in time. Do not sell it.

The name is Foss. Do you have me loud and clear?