“Seth material” search engine (Jane Roberts)

In the area of 6th Avenue and 61st Street, Carter (spelled). You had better include N A N. (Pause.) Now I do not know if this is Nan Carter, but I do know the two are connected. And with a group show of some note in 1935, in which I believe this person participated, who now owns, or runs, or is connected with this gallery in this neighborhood.

The man has been himself an artist, therefore. He may be the uncle of the man who runs the gallery, per se, but he has a strong voice in the gallery. At one time connected with the school of ashcan art. Do you follow me?

Sevens strongly in the numbers of the address, and zero. At first you will not think this is a place for you. They will not seem to show your kind of work, but this is precisely why they will want to do so. They do not have anyone in their stable who can do good work with figures, or of an objective nature.

Now listen: do not take it for granted that those who do not show your type of art are against it, or will not want it. In New York now, and across the country, it is difficult to find objective work that is not highly stylized or sentimentalized.

It moved twice in the past two years however, for added space. This is the third location, and in the first location it was run by a different man. There is a woman connected with it who will remind Ruburt of her Lydia (Nesbitt), and a connection with Charlotte.

You can do this, and well, and it will allow you to work with people who are independent of this place and time. I mentioned this once earlier. Give us a moment. (Pause. Then humorously:) Your painting of me can become famous, in time. Do not sell it.

There are two things operating. Crosson, not admitting it to himself, is afraid that he cannot hold an audience sufficiently and he wants help. He has been saying the same things over and over. He wants to be the one to introduce someone new, someone who will be known in the field, and added to his crown.