“Seth material” search engine (Jane Roberts)

You feel the work is safe while you have it. You put in time and effort in the past to sell your commercial work, but have refused to do the same to sell your paintings. You are aware of this, I know.

(“Does his gallery advertise in The New York Times?”)

(Humorously:) I have not read The New York Times lately. (Pause.) Give us a moment. (Long pause, leaning forward, eyes closed.)

(This is very true, and quite acute on Seth’s part. I have had awareness of this occurrence a few times, and puzzled over it, seeing effects in finished work that I wanted, without knowing how I had achieved them. Jane certainly didn’t know about this consciously, for I have said nothing about it to her.

(This is very good data, and at times I have experienced this effect. I will try being more aware of it. I have not heard Jane mention ever trying any such experiment. Moreover, I don’t believe she thinks this way consciously.)

Various gradations in color will emerge that could otherwise take years to effect. The inner self of course will take advantage of all the conscious knowledge you have at the same time, and serve it up to you in new patterns.