“Seth material” search engine (Jane Roberts)

You can try this even in regard to color. As an experiment, with a complete palette set up, then almost automatically let your hand drift over the palette and choose its own colors in turn. The intuitions of course will have guided the hand.

Various gradations in color will emerge that could otherwise take years to effect. The inner self of course will take advantage of all the conscious knowledge you have at the same time, and serve it up to you in new patterns.

(I explained now to Jane that the material tonight was very good, and that I hadn’t given her clues to it, etc., especially as regards the color experiments, characterization, the full-figure work, the essentials required for drawing the full figure convincingly, etc. She did know about my plans to do full figures, however.

Clothing tells much about character, for a person chooses his clothing. Subconsciously he also chooses his environment, and throws his own character about it so the basic mood, the underlying mood of a personality beneath all the shifting moods, will also be expressed in color that is reflected in the entire painting, the environment as well.

As a glaze is added to a glaze, so the color of the glazes represent the moods within moods that make up the entire psychological framework of the personality. The fluidity of lines also tells much about the characterization; a rigidity of line showing a rigidity of character.