1 result for (book:tes9 AND session:495 AND stemmed:seth AND stemmed:intuit)
[... 3 paragraphs ...]
(“Good evening, Seth.”)
[... 5 paragraphs ...]
(Long pause... This material stemmed from a discussion Jane and I had had the other day, re selling paintings and how best to go about it. I had forgotten the conversation, as had Jane, and we hadn’t asked that Seth discuss it this evening.)
[... 7 paragraphs ...]
The man to whom I have referred is approximately 62, but filled with energy, and would have intuitive understanding of your work. He also needs something new in his own life, and your work would give him new purpose. You could trust him.
[... 11 paragraphs ...]
(This is very true, and quite acute on Seth’s part. I have had awareness of this occurrence a few times, and puzzled over it, seeing effects in finished work that I wanted, without knowing how I had achieved them. Jane certainly didn’t know about this consciously, for I have said nothing about it to her.
(All of the data in this session is very good, very accurate, incidentally, summing up nicely feelings, intuitions, hunches, etc., that I have had. Most of it I haven’t spoken of to Jane.)
[... 2 paragraphs ...]
You can try this even in regard to color. As an experiment, with a complete palette set up, then almost automatically let your hand drift over the palette and choose its own colors in turn. The intuitions of course will have guided the hand.
I am not suggesting that you relinquish conscious concern and control, but you will be amazed at how the intuitive self will use your hands, and to your conscious advantage, in experiments.
[... 29 paragraphs ...]
(“Good evening, Seth. Thank you, it was very good.”
(10:35. Jane was out of trance quickly. She remarked that she was certain that as Seth she could see better without glasses than she could see without glasses as Jane. Explaining, she said she felt she could see as well, as Seth, without glasses, as she could see as herself with glasses.
(Once again, the material in the last delivery was very good, with much intuitive insight as regards character, background, emotion, etc., in painting. From this data I will formulate some questions for Seth. At the moment however they will center chiefly about New York City galleries, names, etc.)