now

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TES9 Session 465 February 17, 1969 9/70 (13%) prophet background painting lips figure
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 465 February 17, 1969 9:12 PM Monday

[... 4 paragraphs ...]

Now. To you ... (Long pause, eyes closed.) Your paintings are your own, and I am no artist. If I read your inner intent correctly however, your prophet will dominate the background, and seem almost to come out of it. At the same time the background itself will be alive, so it is difficult to tell whether the living background propels him outward, or whether he himself, from his own power, seems to rise out apart from the background. Or whether he has been thrust outward from the background of which he is part, a living focus rising out of the background, a part of consciousness rising out of a larger, undifferentiated consciousness implied in the background.

[... 13 paragraphs ...]

Now as men wonder about what was Mona Lisa thinking, so let them be so intrigued and so involved that they want to hear your prophet’s unspoken words. Put yourself in his place, and with all of his capacities, and with his wisdom, and what would you be saying, and what emotion would move the muscles of your face?

[... 3 paragraphs ...]

Now there are several ways of taking care of such matters. You can build form or a structure with lines, or a face, and leave it and wait for the emotion to fill it up, and then quickly with a touch here and there bring out that which has appeared, the movement that was within the form, that you barely sensed. Or you can perceive the movement, the emotion and the power first, and then paint the form that grows about it to form it.

[... 1 paragraph ...]

Your prophet’s lips move. To whom is his implied speech spoken—to a god he understands, to a god he does not understand, to the elements or to a part of himself that he knows exists and cannot reach. (Smile.) You should sense or know the answers, now, or as the painting progresses.

[... 5 paragraphs ...]

Now. Become your prophet as you paint him.

[... 5 paragraphs ...]

For now the figure rises from the background and dominates it, is thrust forward and you catch it; but may it not also once more return to that background in the instant that you turn away, and emerge anew. The question itself is significant, and indeed universal. (Smile.) And look even further: what is the nature of one who can ask such a question?

[... 10 paragraphs ...]

Now you may take your break.

[... 1 paragraph ...]

Now. I would not want to keep my sleepy babies awake—and so I will close the session.

[... 11 paragraphs ...]

I have not of late. But do remember now that you are interested in him.

[... 7 paragraphs ...]

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