1 result for (book:tes9 AND session:465 AND stemmed:here)
4/70 (6%)
prophet
background
painting
lips
figure
[... 6 paragraphs ...]
(Seth here refers to a large painting I have planned and made a pen-and-ink drawing for in small scale. Tonight I explained to Jane the problem involved in determining the correct relationship between background area, and the prophet, who is in a standing position. In this particular painting the background will play an important role, since it is designed to indicate a play of light and shadow. The prophet looks upward to the left, lips parted in speech.)
[... 15 paragraphs ...]
Now there are several ways of taking care of such matters. You can build form or a structure with lines, or a face, and leave it and wait for the emotion to fill it up, and then quickly with a touch here and there bring out that which has appeared, the movement that was within the form, that you barely sensed. Or you can perceive the movement, the emotion and the power first, and then paint the form that grows about it to form it.
[... 37 paragraphs ...]
(“Well, I’ll get them all together...” I didn’t ask any questions here because I knew Jane was tired. “Have you been in touch with Van Elver lately?” See the 414th session.)
[... 2 paragraphs ...]
We have plenty of time. I will try to get him here some evening here for you.
[... 5 paragraphs ...]
