“Seth material” search engine (Jane Roberts)

Now. (Pause.) I will continue with this in a moment.

(Pause.) Give me a moment.

(Pause at 9:30. Seth now spoke about some remarks I had made earlier today, concerning my poor success in remembering my dreams and projections over a period of months now.)

You feel that all of your energy must go into the painting at hand. In this way you also close the door unknowingly to additional energy and refreshment (pause), to some extent (underlined). You cannot close one creative door without closing all of them to some degree. I qualified this statement twice on purpose, for naturally your main focus is to be your painting.

Now. Give us a moment. (Pause.)

It is an example of the way in which his abilities came to his aid, giving him inner assurances when they were most needed. He realizes that he is a creator of the book, not its prisoner, and he once thought that he was. He has stepped clear of it (pause), its fate no longer seen as his fate, regardless of what happens to the book.

Now he is so concerned however that I tell you whether or not Ace will take the book, it is difficult for me to speak clearly on the issue. (Pause.) Give me a moment. (Pause.)

He has freed the book also from the negative ideas that he had earlier projected upon it, ideas which were picked up by those who read it. (Pause.) We will see if we can get around him. Now. (Pause.)

He will hear of its publication soon. That is, within a short time he will know physically that it will be published. (Pause; smile.)He will be working on it through some stages of the Seth material, also. (Pause.) Wollheim will be involved in it. With it. It will be an ace of a book. (Smile, eyes closed.