1 result for (book:tes9 AND session:456 AND stemmed:subject)

TES9 Session 456 January 8, 1969 4/65 (6%) approach restricts portrait potato technique
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 456 January 8, 1969 9:12 PM Wednesday

[... 5 paragraphs ...]

The resulting inner freedom will also free his own creative energies, and his career will continue to expand. It will no longer be as restrictive. He will find himself writing in other areas as well. His release will also have its effect upon your own subjective life.

[... 15 paragraphs ...]

(A subject came up at break that hadn’t been anticipated; I explained to Jane some of the troubles I had had lately re my oil portraits. I thought the remarks would bring forth some response from Seth, but since a shorter session had been announced I didn’t think such a lengthy response would materialize.

[... 11 paragraphs ...]

Look at the scenes outside your window in this light. Think of your painting as a spontaneous play of the godlike self, who paints or plays for the pure joy of doing so, without effort, without questions, and without plans. Sketch whatever comes into your head. Do not limit yourself in any way whatsoever in terms of intent as far as subject matter, medium, technique. Indulge in a spontaneous childlike game. When you feel like sketching or painting, when an idea springs into your head, try it immediately. When it does not, when an idea does not come, then walk, play with your cat, do anything you want to do.

[... 4 paragraphs ...]

Now you may take a break, and we shall continue. (Pause at 10:20.) In the first approach you become completely immersed in the subject. In the second approach you become completely immersed in the idea of spontaneous play, which is true blessedness and creativity and there is no focus upon subject. Do you see the value and similarity of the approaches?

[... 25 paragraphs ...]

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