“Seth material” search engine (Jane Roberts)

At one time two classes met certain needs. He needed that extra, outside contact as others came here. Now he does not.

I also suggest that when we are holding regular sessions, then for one session a month we deal with a session for someone like your Pitre, Norelli, or whoever needs such a session at any time. This need not be a rule.

You do not need to justify your existence by painting. It is impossible to do so. (Pause.) There are two approaches, either of which would be highly beneficial. The first is to paint a portrait of a person whom you know, trying to portray the essence of that person, their deepest agonies and highest joys, their highest capabilities and fears of failure. (Pause.) This would induce on your part an honest effort to face the raw emotion of another personality, and portray it.

You need not hammer this. The feeling is what is important. Think of yourself as being flexible creatively. Psychological time, if you contemplate it, will set you free, so that you feel value fulfillment and durability within the time that you know. Do not think in terms regretfully that you have only afternoons in which to work. This restricts you in two main ways.

If you have no more questions I will end the session... If you have questions ask me at our next session. You realize that you can call upon me in between regular sessions, or instead of a regular session when you feel the need.

My heartiest wishes to you both. You have been given advice geared to you and to your needs. If you follow it you will be amazed at the difference in your attitude and in your work. It must not be a willy-nilly trial, a one-or-two day affair, but a wholehearted plunge into whatever approach you choose, and you should also follow the suggestions given later concerning time and your attitude. This is your artistic prescription, and half doses will not do a full job.