1 result for (book:tes9 AND session:456 AND stemmed:emot)
[... 27 paragraphs ...]
As you know you are apt sometimes to use a problem with technique as a substitute problem, as a way therefore of escaping from, rather than facing, certain issues concerning the nature of emotion. (Pause.
[... 2 paragraphs ...]
You do not need to justify your existence by painting. It is impossible to do so. (Pause.) There are two approaches, either of which would be highly beneficial. The first is to paint a portrait of a person whom you know, trying to portray the essence of that person, their deepest agonies and highest joys, their highest capabilities and fears of failure. (Pause.) This would induce on your part an honest effort to face the raw emotion of another personality, and portray it.
[... 15 paragraphs ...]
This restriction will show in all areas of your work if you do not break it, and you can do so. Its effects literally color all of your painting activities, and serve to reinforce the restrictions of an emotional nature. So solving one issue helps both.
[... 17 paragraphs ...]