1 result for (book:tes9 AND session:456 AND stemmed:complet)
[... 7 paragraphs ...]
I do intend to begin my own book now, very shortly, for this will give a new organization to the material, and direct the flow of information. There has been a very marked improvement in Ruburt’s condition. There will shortly be another equally remarkable improvement—another stage, in other words, and this one will be followed in a matter of two months or so by complete recovery —that is, two months after the next improvement.
[... 24 paragraphs ...]
Now. The other approach in many ways is completely opposed to the first one. Indeed it may not seem like an approach at all to you. Using this approach however, for ten days minimum, you drop the work you are doing. You drop the idea of work as work during your usual work hours. You capture as much as possible and in whatever way you choose, a careless, childlike, playing attitude.
[... 5 paragraphs ...]
Now you may take a break, and we shall continue. (Pause at 10:20.) In the first approach you become completely immersed in the subject. In the second approach you become completely immersed in the idea of spontaneous play, which is true blessedness and creativity and there is no focus upon subject. Do you see the value and similarity of the approaches?
[... 9 paragraphs ...]
You must realize, and tell yourself, that creativity is timeless in a basic manner. You must completely cease inner speculations and regrets and questions as to why your abilities have not come to fruition. This must positively be done. The negative suggestion works constantly against you. When such thoughts come to mind, instead tell yourself that that trend of thought will not help your painting, but hinder it, and that it is constricting. Then immediately imagine a time when you painted very well and spontaneously, and tell yourself that you are now free to use and develop these abilities. (Pause.)
[... 15 paragraphs ...]