1 result for (book:tes9 AND session:445 AND stemmed:creat AND stemmed:own AND stemmed:realiti)
[... 4 paragraphs ...]
As you have probably supposed, the contents of closets have significant meaning. (Smile.) With Jane, now, they represent the resources of the subconscious. (To me:) Generally, your attitude is that you want your own subconscious relatively clear. You resent unused paraphernalia, however neatly arranged, because it reminds you of your childhood home.
[... 4 paragraphs ...]
(To me:) Your own creativity has also had a psychic basis, and often you have translated such information into your paintings without ever having been aware you have done so. You put up what you could loosely term a psychic screen to protect yourself in your parents’ home. On several occasions you almost allowed yourself to see through the screen to become aware consciously of telepathic data received from them.
[... 5 paragraphs ...]
The constant line of chatter developed by your one brother (Loren, a year younger than I am) was of course a defense to close out the constant telepathic storm. Your young brother (William, 9 years younger) never set up adequate defenses, so that his own mood swung, willy-nilly, as the psychic climate varied.
[... 6 paragraphs ...]
(During break Jane began to get further impressions on her own, and they are noted below. If she was in a trance now it was a very light one. Seth was not involved. It is interesting to see how association works in such cases.
[... 18 paragraphs ...]
It would also break your mother’s heart; for she does not understand this son at all. Of course he is concerned over his own health. You are too guarded when he asks for recommendations, and Ruburt’s impulse there has been correct. He also looks to you for guidance, and basically (underlined) seeks your support.
[... 4 paragraphs ...]
Now. As a rule anything that you know is categorized by you as either memory or present experience, since usually you do not realize you have practical knowledge of what would seem to be the future. Your own knowledge of Joseph is, for example, from both past and future.
In dreams and reverie you may recall past existences. (To me:) You will not reincarnate again in physical terms, but those who will can also have dreams in which they catch a glimpse of their own future life.
[... 1 paragraph ...]
If you chose to, you could indeed. (Smile.) In your terms, you have already chosen not to. You can however have dreams in which you can catch a glimpse into your own next existence, which will not be in your known physical plane.
[... 8 paragraphs ...]
Ruburt, at one point was an artist as a male. Give us time here. (Pause.) You at one time combined music and words. You did not write music. (Long pause.) Both of you have always been strongly creative, have always been concerned with translating inner reality outward.
[... 3 paragraphs ...]
(10:23. Jane left trance easily enough. She remembered little of what she had given. I explained to her about what I really meant by my question concerning physical life in the future, and she then said that Seth was going to comment on our experience in physical reality in new ways in the future, rather than experience a lifetime of continuous physical creatures.
[... 4 paragraphs ...]
You will be able to create so that your creations exist in more dimensions than they do now. You will have more challenges and problems. Those who view your creations will also have more abilities than they do now.
[... 1 paragraph ...]
I will have more to say along these lines when we get to it, or when you ask me. Remember that I told you both that you have already begun your work. Someday you may even inspire other artists still within this field. Ruburt will do the same. (Pause.) You will help give knowledge and inspiration to others even while you continue to develop your own abilities on another level. Now unless you have questions we will end our session.
[... 6 paragraphs ...]