“Seth material” search engine (Jane Roberts)

Consciously of course they do not. Underneath they know there is a communication, but they do not realize they are being painted as such. In one man’s mind he has seen your image however, and there is some telepathic communication operating both ways, but both of you accept the thoughts as your own.

(Naturally I found all this quite interesting. I was aware of none of it while making the two small oil sketches in September 1968. I now knew which two Seth referred to; strangely enough, I hadn’t thought of them as being of the same personality at all. I don’t think they bear any striking resemblance to each other, though in a general way they could be of the same type of person. After the session Jane told me that she knew at once, after I had finished them, that they were of the same person; she took it for granted that I knew this also.

He is well aware of your mother’s vitality, and she is well aware subconsciously that her vitality still goads him into a semblance of reaction. She still acts as a stimuli, as you know. In one way she forces him to stay when he would retire, and when her thoughts are not strongly with him he will attempt to escape further.

She will not let him be done here, and he resents it when she rouses him. But he still feels arousement at her thoughts of him as well as her visits.

(At 10:45:) Your father is now trying very hard to escape, but your mother is now at this point turning her thoughts toward him in alarm. (Pause.)

(10:52. I thought this was the end of the session. Jane’s trance was obviously deep and I began to urge her out of it verbally. After a while she began to talk to me, slowly, yet gave every sign of continuing the session on her own, and in the highly emotional manner of the 435th session of September 11, 1968. This I wanted to prevent; even while she told me that Seth protected her, she began to whimper, eyes closed, and talk about my father.