“Seth material” search engine (Jane Roberts)

Now you are dealing with emotions, working with your portraits. Some of the people you paint are real, but you do not know them. You work within regular hours, yet within those hours you are dealing with unregularized emotions. You are dealing with personalities, some far different than your own, and forming these into paintings.

(Here I referred to the series of portraits, most of them not finished, on the shelf in my studio.)

There is great struggle within the personality however, shown in the sketches—an infantile nature that yet has abilities and struggles to use them. The man reminds Ruburt personality-wise of your mother, hence his dislike of seeing the characteristics so similar in the male and younger portrait.

(Actually, each sketch, perhaps four inches square, was done to solve technical problems I was concerned with in the series of portraits I am painting. Each was successful in its own way, and opened several doors. I might add that I was somewhat surprised at the ease and success of these two sketches.)

He was (underlined) most jealous of you. You will yet do a portrait of him, for you cannot yet avoid the issue. Are your fingers tired?