“Seth material” search engine (Jane Roberts)

Now you are concerned with our material and so is Ruburt. But there is also a strongly personal interrelationship between the three of us, and this is also important. If you, Joseph, have any questions feel free to ask them. Remember that the emotional element is behind all of our sessions. Without it there would be no sessions and I would not be here.

Now you are dealing with emotions, working with your portraits. Some of the people you paint are real, but you do not know them. You work within regular hours, yet within those hours you are dealing with unregularized emotions. You are dealing with personalities, some far different than your own, and forming these into paintings.

You need time to do your own work, but it is also true that the intuitions and emotions that spark your own work are not dependent on time, and exist quite apart from it.

(10:52. I thought this was the end of the session. Jane’s trance was obviously deep and I began to urge her out of it verbally. After a while she began to talk to me, slowly, yet gave every sign of continuing the session on her own, and in the highly emotional manner of the 435th session of September 11, 1968. This I wanted to prevent; even while she told me that Seth protected her, she began to whimper, eyes closed, and talk about my father.