1 result for (book:tes9 AND session:437 AND stemmed:what AND stemmed:realiti)

TES9 Session 437 September 18, 1968 9/59 (15%) notime painting blaring foreground segments
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 437 September 18, 1968 9:07 PM Wednesday

[... 5 paragraphs ...]

Now. You come out of notime into what you think of as time, and back to notime again.

[... 1 paragraph ...]

There is less differentiation, in your terms, in notime, but far more differentiation in terms of consciousness, and psychological experience. All probabilities have their reality in notime, and the creative accomplishments that take place within notime generate all the probable realities that will ever exist or have existed within the various time systems. In various dream states you do delve into notime, and it is of course here that you have your primary existence and the ground of your identity.

[... 1 paragraph ...]

Ruburt’s physical system, at its own pace, is righting itself. He is also receiving help requested. (Pause. Pace slower.) I am trying to give you some information concerning the back symptom, and will have to deepen Ruburt’s trance, because of what you might call the underground noises. Those coming from below.

[... 11 paragraphs ...]

When he does not use the pendulum it is obviously a symptom that there is something he does not want to face, and that for the time he will accept the symptoms. But that attitude, again, is a symptom of what still remains of inner confusion. Your supportive help is and has been far more important than you realize, and it is in all such relationships.

[... 9 paragraphs ...]

Make sure you do not force the images. Imagine a blank canvas or board, or blank framed picture if you prefer. I will give you an example. This is not a specific suggestion but an example of what I mean.

[... 11 paragraphs ...]

(“Well, I don’t know what to say.” [It was getting late.] “Break, I guess.”)

[... 6 paragraphs ...]

Give us a moment. (Pause.) A circle with segments cut into it like a pie may also be used by you to signify time segments. You will have to work out your own interpretation here, for the whole circle will represent various amounts of time, according to what you require.

If you want to discover in what month something will come about for example, you may visualize the circle cut into 12 segments, or have this idea in your mind. Then as the painting is painted, so to speak, so many of these segments would be removed, representing the months that will pass before the event.

A trick you may use, though you do not need it, when you want an idea for a new painting, is as follows. Pick a day in your future and simply request that you see that painting you will be working on at that time. Now we are involved with something rather tricky here, and I will explain the mechanics of it but not this evening. The picture of the painting should be available to you however. You can then use it in this present. If you are looking for a refreshing change, a lighthearted experiment, then imagine what painting you would paint if you were a particular other person, gifted with your own abilities.

[... 5 paragraphs ...]

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