1 result for (book:tes9 AND session:437 AND stemmed:color)

TES9 Session 437 September 18, 1968 4/59 (7%) notime painting blaring foreground segments
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 437 September 18, 1968 9:07 PM Wednesday

[... 34 paragraphs ...]

You should find this a valuable training. Now colors may be significant, particularly to you, and so the colors used in the imaginary painting may be symbolic. If so you will have to interpret them. The painting technique will call forth your creative powers more strongly, and give impetus to the psychic work involved.

[... 2 paragraphs ...]

Now these symbols I believe will crop up specifically for you on various occasions. For you, again, the vividness of a color may also denote position in time. It may have other connotations also. For example, say you request information concerning a letter. You see, as a painting perhaps, a bright red, yellow or even electric blue, envelope. This could denote a favorable and fairly immediate reply, particularly if the letter was seen in the foreground.

If it were small and in the background the favorable elements still apply, but put off some in time. If you saw a dull, gray-or-black-colored envelope, large and in the foreground, this would represent an unfortunate reply, fairly immediate. Further in the background a less immediate but still probably unfortunate reply.

If you saw anything of a rich and bright color it would have good meaning, regardless of its placement in the imaginary picture. Much mist would represent the fact that probabilities had not yet cohered enough so that any certain answer could be given.

[... 18 paragraphs ...]

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