“Seth material” search engine (Jane Roberts)

This first state of agonized search for expression may have represented the birth throes of All That Is as we know it. There existed, and clearly, the possibilities of creation as we know it, but the means were not known. Pretend then that you possessed within yourself the knowledge, the sight, of all the world’s masterpieces in sculpture and art, that they throbbed and pulsed as realities within you, but that you had no physical apparatus, no knowledge of how to achieve it; that there was neither rock, nor pigment, nor source of any of these, and you ached with the yearning to produce them—and this, on an infinitesimally small scale, will perhaps give you, as an artist, some idea of the agony and the impetus that was felt.

(It was fifteen minutes before she could open her eyes. It was difficult for her to snap loose, though at no time did she exhibit any worry or concern. It seemed to be a long way back for Jane. I suspected her sensitivity to heat and humidity might have contributed to the trance depth; before the session she hadn’t felt very active, but still wanted to hold the session.

(Note that no answers to questions mentioned at the start of the session were received, and I did not interrupt. Seth plunged into the material. Jane said she strongly felt the material’s content, aside from the words, as she delivered it. She experienced it in other words.