1 result for (book:tes9 AND session:424 AND stemmed:one)
[... 18 paragraphs ...]
You have no fear of them. All of this is a progression, I will say for simplicity’s sake. Now in such an environment, time as you know it does not exist. This is one of the reasons why some projections are so confusing, particularly when the ego is taken along for the ride. (Humorously.) It is used to past, present and future, kept nicely apart.
[... 10 paragraphs ...]
Now. Nothing is ever really done alone (smile), and nothing is ever done unless it is done alone. I should end the session here, and leave you with that one, but I will explain what I mean.
[... 4 paragraphs ...]
(9:50. The trance had been a deep one but Jane emerged easily. During break she still felt partially “under.” Resume at 10:01.)
[... 1 paragraph ...]
(Jane did do very well on our hiking trips. One mountain we climbed from the stream bed to its summit was several hundred feet high, and steep, etc.)
[... 4 paragraphs ...]
With this present condition completely banished, proper attitudes and proper use of the yoga exercises will allow him to stay in excellent health. There will be no reoccurrence of symptoms once they are banished, therefore. The yoga exercises simply include rather painlessly, and in one package, techniques that are of greatest benefit in the maintenance of spiritual, mental and physical health.
[... 2 paragraphs ...]
Now I am through with what I intended to say. You may end the session or ask any questions that you have. First give me one moment here. (Pause.) This is for you. (To me.) We will try to get it clear. Do not use sepia with too heavy a hand.
[... 17 paragraphs ...]
(This effect appeared shortly before vacation, on an experimental head in oil I was working on. Brown was one of the colors used, and could have contributed to the undesirable purplish undertone in the flesh. The effect cropped up before I was aware of it. I cannot be positive the sepia caused the effect without trying some deliberate experiments to see, but certainly it contributed.
(The oil head in question sits in my studio, still unfinished and has been seen by Jane often. One note of interest; technically speaking the oil colors I use contain no color named sepia, specifically, though, of course, a range of earth reds and browns are included. Sepia is a brown. The specific word sepia is more often attached to watercolors, as far as I know, than to oils. Jane also has used both watercolor and oil, as I have; and my watercolors do contain sepia.
[... 8 paragraphs ...]
(Pause.) It has a tendency to bring out the light tones of the sepia over the dark ones. Subdue the brown and bring out the light.
[... 26 paragraphs ...]