“Seth material” search engine (Jane Roberts)

There are unities, barely contemplated, then, between language, exterior communication, the physical nervous system, and time, or your idea of it. These merge so beautifully that they all serve to form a seemingly perfect picture of physical reality. The camouflage would not be effective were it less perfect. (Pause.)

The letter that Ruburt has written is significant in ways that you have not seen. (Pause.) Mr. Edwards admits that he calls upon surviving personalities, healers who have survived death in your terms. In the past Ruburt would not admit, basically, that such survival was a fact, much less ask for help from such quarters.

When you say “I will do this myself,” you are speaking with a limited idea of identity. You are more than you know. The you that paints your paintings is far more than the Bob Butts you call yourself, though you are that Bob Butts. There is a matter of terms. Now Ruburt, you may say, has done all the hard work leading to a recovery alone; but he has had help. The recovery itself was utterly dependent upon his belief in it, however. (Pause.) This was his primary battle, for he understood finally what the illness represented. Every personality is different. The prerequisites for recovery are therefore different in each case.

The recent and highly significant release in a certain area is a sign of improvement more significant than you realize. The letter should be mailed however. It will lead Ruburt to further contacts, and its results will strengthen certain inner feelings that have and are emerging. (Long pause.) If your hand is tired you may take a break.

Now I am through with what I intended to say. You may end the session or ask any questions that you have. First give me one moment here. (Pause.) This is for you. (To me.) We will try to get it clear. Do not use sepia with too heavy a hand.

(Pause.) I do not have our friend directly. This is something like a mental message meant for me. (Pause.) There is some reaction with sepia, that can lead to an unpleasantly or undesired purpling effect.

Some further here with sepia—to achieve something different now, a sunny clear effect, a newness, a way of applying sepia with white; thin-layered, with a particular kind of varnish... (Pause.

(Pause.) It has a tendency to bring out the light tones of the sepia over the dark ones. Subdue the brown and bring out the light.

(Pause.) I will have to check.

(“Mastic?” I paused.)

We are still having difficulties with the name. He is indeed aware of new techniques, for he looks in on you now and then. (Pause.) If you have further questions ask them, or end the session as you prefer.