“Seth material” search engine (Jane Roberts)

(Once again Jane began speaking in the light, pleasant, high but not falsetto voice, that we had been told represented the larger personality beyond, and encompassing, Seth. This voice is distinctly not the heavy and strong and amused or acerbic Seth voice. It is very well controlled, distinct, almost lilting, with a distant or formal quality.

What you call thinking is a dim shadow of true comprehension. (Pause. Jane lit a cigarette. Her voice, with its distant quality, was not faint however.) This involves being united with knowledge in a way you cannot now appreciate. This kind of comprehension automatically puts you out of self- (hyphen) structures as you think of them, but does not deny identity. Since you are very involved with self-structures as you think of them, then knowledge must be given in such a way that it affects the structure as you know it.

(But, definitely, Seth’s voice hadn’t shown itself. When Jane resumed the same distant and gentle, higher voice returned as before. Pauses also, some long. 9:46.)

(When she resumed she used the same higher and gentle voice, with pauses, etc, as before. 10:21.)

Now the pyramid or cone structure Ruburt senses is his symbolic way of feeling, in your terms, the approach of certain coordinates. (One minute pause; voice unchanged.) These are projected into your system and opened. Instead of saying, “I will meet you at the corner of Water and Walnut,” for example, I meet you within certain precise coordinates. (Long pause.)

(The voice was also Seth’s, strong, much deeper, and immediate. It was also amused.)

(She said she remembered none of the material until “he” asked if we wanted to hear from Seth. Then she was subjectively aware of the Seth voice and the change in personality, without remembering what Seth said.