“Seth material” search engine (Jane Roberts)

One point, you see, this artificial image that you have projected upon others has prevented you from knowing them, and in itself has prevented any legitimate relationship which might otherwise have occurred. As long as you allow this image to cover your eyes, you do not see the individual man and do not react to him for the image is between the two of you. Now you have frightened our young man. On the one hand he resents the image that you have placed upon him, and on the other hand it serves his vanity to accept it. He would much rather have you think of him as this image. He is hiding himself and you have very nicely given him an image to hide behind. You speak to each other in symbols and writing and poetry. You are using the symbols to escape normal human give and take. They are not symbols to aid in communication; they are symbols behind which you hide from communicating.

([Pat:] “I guess that we are using one another. I suppose… that neither one of us sees the other person for what we are. He hides behind the God image that I project upon him … he’s trying to hide, and, of course, that’s a perfect image to hide behind.”

(Long pause.) He was a woman. His present mother and father were both brothers…the American Revolutionary period, the same geographical area as now. His brothers were involved, it would seem, as spies. Your Mr. Reed as their sister told where they were and broke under pressure and fear. Concord… a cellar beneath an old inn… stone walls, floor partially dirt. Your Mr. Reed, then the sister, was hiding with the brothers here. She went outside for provisions. She was captured and gave the hiding place and could not then return to warn her brothers. She felt then that she had abandoned them and betrayed them. There was something done then to her right leg. A relative was responsible for an injury inflicted on her right leg connected with a horse.