“Seth material” search engine (Jane Roberts)

You have been afraid that the male would hurt you cruelly—and on purpose, and at the same time, you have endowed him with godlike qualities, and, therefore, demanded more than any man could possibly deliver. I am sure that you realize that when you drive your car, you see yourself in a masculine role, as one of power and strength and one in which you consider yourself invulnerable. Now you are not invulnerable in that car. The reason that you feel invulnerable is that you are subconsciously identifying with this godlike figure and it could lead you into difficulty. Now you have on occasion been cruel to men you have known rather purposely, intending to hurt them before you could be hurt. When you have settled yourself upon a particular man, you see, it becomes a matter of principle with you that you get him. Oh, it does indeed. On the one hand, you want him, on the other hand, as you had to escape from your father, you must also escape from the man and so you are caught in a dilemma. You want him. On the other hand, you must feel that you have independence from him. There was never any communication between you and your father. Therefore, you find it difficult to communicate verbally with a male.

([Pat:] My father and I never spoke in a close communication. I was always afraid to talk to him about anything. I could never open my heart to my father. He wasn’t like a person; more like a club.)

You are not able, at this point, you have never been able to look at a man as an individual human being. You have not seen him as he is, for you have endowed him with all these qualities of which I have told you, and with all the fears that go with them. In the overall then, you deny yourself the experience of really knowing an individual male, for you will not see him as he is. The man realizes, of course, that you do not see him as he is, and each one of the men involved has resented it subconsciously. You do not communicate with an individual man; you communicate with your idea of what this man is, this man with the godlike qualities that can bring both joy and punishment.

One point, you see, this artificial image that you have projected upon others has prevented you from knowing them, and in itself has prevented any legitimate relationship which might otherwise have occurred. As long as you allow this image to cover your eyes, you do not see the individual man and do not react to him for the image is between the two of you. Now you have frightened our young man. On the one hand he resents the image that you have placed upon him, and on the other hand it serves his vanity to accept it. He would much rather have you think of him as this image. He is hiding himself and you have very nicely given him an image to hide behind. You speak to each other in symbols and writing and poetry. You are using the symbols to escape normal human give and take. They are not symbols to aid in communication; they are symbols behind which you hide from communicating.

([Pat:] “He said that all the poems were used to avoid communication, which is something I sensed, anyhow, which is something that I kept trying to get around. In an effort to communicate, I was blocking communication. I’ve never seen Seth in such a good mood. Every time I’ve seen him, he’s always been bawling someone out.”