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TES8 Session 400 March 20, 1968 6/67 (9%) vision technical technique realism medium
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 400 March 20, 1968 9 PM Wednesday

[... 6 paragraphs ...]

Ruburt need not spend 24 hours a day thinking about his work. Remember he is to trust the inner self. Now let him keep his regular hours. He must remember to focus within the present. When he is going about household chores for example, let him give his mind a rest. Concentrate upon the chores joyfully.

Not only this, but he needs other interests to refresh him. I have in the past suggested he resume painting. The yoga is good, excellent for him. It should be done joyfully. He need not always be so serious. These points sound obvious, but they should be followed. This gives the inner self freedom. He has been hammering again, though now he hammers with a better purpose. (Smile.)

The season will itself offer advantages here. Let him work so many hours and then concentrate elsewhere. He is trying too hard. He sees he has changed his ways, and now wants to do so with a vengeance, you see. (Humorous emphatic delivery.) He has dropped the relaxation exercise, and this should be resumed. For him it is most beneficial.

He has felt the need of sleep because he has been overly anxious to set things right. These suggestions, followed, will return him to his proper course. I am able to tell him such things now. Months ago he would not have allowed me to speak until he had a return of symptoms. We are short-circuiting all of that now.

[... 6 paragraphs ...]

One more note. Ruburt should remember to keep other interests also. This lets him take his conscious attention away from psychic matters and allows them freedom. Dancing, gardening, painting. He can afford to play. (Humor.) Now that he is “good,” in quotes, he need not make a saint of himself overnight. (Emphatic.)

[... 26 paragraphs ...]

Now in portrait work, looking at a subject easily for example, try to see him as he was in past lives. This will add depth and dimension and vastly increase your own interest. Now form is extremely important, but forms change constantly, and no form is permanent. Therefore let your fine draftsman’s ability carry in itself that message: beautiful form but already in transition, with the vision beneath ever ready to adopt new shape. (Long pause. I consider this to be excellent and perceptive material.)

[... 22 paragraphs ...]

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