1 result for (book:tes8 AND session:400 AND stemmed:creat AND stemmed:realiti)

TES8 Session 400 March 20, 1968 4/67 (6%) vision technical technique realism medium
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 400 March 20, 1968 9 PM Wednesday

[... 23 paragraphs ...]

The precise delineation helped create the subject of the painting beautifully, with almost “supernatural” in quotes, precision. Yet the lines also served to protect you from that which you were painting, and from the feeling involved.

[... 1 paragraph ...]

The realism has several significant meanings for you also. Your mother felt literally trapped by physical life and circumstances. As a youngster you felt that recreating portions of physical reality gave you a mastery and control over them. The more precise and faithful the recreation, the more complete the mastery.

[... 7 paragraphs ...]

Imagine the vision on the board, forming itself and evolving outward into physical reality, and let your fine technical abilities simply help the vision flow outward.

[... 25 paragraphs ...]

When you paint the land, do so thinking in terms having to do with its past as well as present and future. Its inner development that has resulted in its present form, the energy behind the form. Remember in your painting the relationship of one object to another, not in terms of space necessarily, the interrelationship of the vitality that forms the objects; the vibrating always changing reality within, say, the skin of the apple or the orange, the quite living consciousness within the molecules that make up what seems to be the solid surface of the fruits’ skin.

[... 6 paragraphs ...]

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