“Seth material” search engine (Jane Roberts)

It was a tool of your art. It was also a part of your talent. It added to the dimension of your work, but to some degree it was also adopted as a protective mechanism, to give you some feeling of separation. Your mother’s emotionalism frightened you so that you distrusted strong feeling, even while you must use it, and be vividly aware of it in order to paint.

You did not consider it refined, in terms of process, enough. Neither did you find yourself at home however with the acrylics, that you felt were over-refined, and too far away from basics. Your problem being your overall attitude toward the emotion from which your art springs, for your attitude is then projected outward upon your mediums. To some extent the present dilemma was initiated by your parents’ condition.

You will, quote, “pick up” visions that no one else can. If you are a channel for these, your development is assured. All of this presupposes of course the kind of technical training and background, and knowledge of the art necessary. This you have. So as Ruburt is to try to be a channel, so think of yourself in those terms.