“Seth material” search engine (Jane Roberts)

(The following manner of delivery was a new one in the sessions. Jane continued to speak with her head down; the result was that her voice seemed oddly muffled, much deeper, far from as clear as just above. There seemed to be an actual effort involved in her speaking—something quite foreign to the sessions. Her eyes remained closed. I watched her closely, ready to interrupt if the experimental delivery seemed to be taxing. And of course Peggy hadn’t seen this type of delivery before.)

(I missed an occasional word in this passage, for even though Jane’s delivery seemed muffled and trying, it was actually quite fast.)

(Jane now sat leaning far forward in her rocker; her head was far down, toward her knees, facing the floor. The voice was still deep but not so muffled, eyes still closed. I can say the voice sounded more like an old man’s voice, and not much like either Jane’s voice or the usual Seth voice. The voice now had almost a resonant quality.)

(The second effect did produce a little alarm when it began, but she mentally told Seth to go ahead. She was well aware of the difference in the two effects. In the second effect, Jane said she felt a distinct trembling in her chin as it was lowered against her chest, but Peg and I hadn’t observed this. Jane likened it to perhaps the trembling of an old man’s chin, and this is in character with the old man’s voice we heard. Jane knew the voice was muffled and strained; it was a completely new experience for her.

(Tonight then, Jane manifested three different voices while in trance: the regular Seth voice, somewhat strong, very clear and concise, the one we are so used to; next the light and lilting voice with Jane’s own mannerisms overlying Seth who hovers just below; and finally the muffled, masculine old man’s voice, so different from any produced before this.)