“Seth material” search engine (Jane Roberts)

This cleavage has been literally a torture to him. It has caused him to hold back from fully developing his abilities; not only his psychic abilities. It has caused him to hold back in the development of his full writing talents, for these specialized creative abilities, the writing techniques, will come into their own now that the personality is more fully behind our work.

(I was watching as best I could for any effect of transposition or facial change, but had noted none.)

(10:40. Jane had been in a deep trance throughout the experiments, she now told us. She knew the first different effect was coming after the phone call interruption at 10:10, she said. Since she had done this once before it did not alarm her.

(The second effect did produce a little alarm when it began, but she mentally told Seth to go ahead. She was well aware of the difference in the two effects. In the second effect, Jane said she felt a distinct trembling in her chin as it was lowered against her chest, but Peg and I hadn’t observed this. Jane likened it to perhaps the trembling of an old man’s chin, and this is in character with the old man’s voice we heard. Jane knew the voice was muffled and strained; it was a completely new experience for her.

(When break was over, Jane once again spoke in the first-effect voice, where Seth hovered just beneath the surface of her own personality. “I could feel him there,” Jane said later. Once again her voice was light and easy, her eyes open and dark.