“Seth material” search engine (Jane Roberts)

As the personal material began to unfold we started calling it the “deleted” material because we kept it separate from the more general “regular” or public sessions. After all, in the conventional sense what was one to do with personal material from whatever source but keep it personal? As the years passed after 1963 we acquired two sets of Seth material, then, one public, one private. It wasn’t until after Jane’s death in 1984 that I took the “time” to understand that Jane’s Seth material—her great passionate body of work—really didn’t need to be categorized as public or private—that all of it was simply one multifaceted creative entity.

How long would it take to publish all of those categories? I don’t know who would have the patience to read them, but I’d really like to see all of them out there, on the record. Part of the Collection, as I call it, is already available at the Yale University Library, but how many have the time to visit there? Of course, I can always indulge my secret desire and write my own book about Jane and me. All I’d need is the “time” to do that while overseeing the projects already listed. The book would include Jane’s simplistically beautiful and brilliantly colored art; also my own quite different art—especially those drawings and paintings of and from my dreams that began to blossom as Seth discussed his dream material. Some of his work is presented in The Early Sessions. In all modesty, I think that my art and its subject matter are unique; that for each one of us dreams are an original and unending source of inspiration and knowledge.