“Seth material” search engine (Jane Roberts)

As the personal material began to unfold we started calling it the “deleted” material because we kept it separate from the more general “regular” or public sessions. After all, in the conventional sense what was one to do with personal material from whatever source but keep it personal? As the years passed after 1963 we acquired two sets of Seth material, then, one public, one private. It wasn’t until after Jane’s death in 1984 that I took the “time” to understand that Jane’s Seth material—her great passionate body of work—really didn’t need to be categorized as public or private—that all of it was simply one multifaceted creative entity.

“Now,” I mentally said to my departed loved one in all sincerity, “if we had the chance to do it all over again, I’d suggest that we dispense with all divisions—that we regard the Seth material as a great whole, any part of which, public or private or in between, has the creative power to help not only us but many others. Let all of it be available to all.” I think that my wife would agree—after first disagreeing!

How long would it take to publish all of those categories? I don’t know who would have the patience to read them, but I’d really like to see all of them out there, on the record. Part of the Collection, as I call it, is already available at the Yale University Library, but how many have the time to visit there? Of course, I can always indulge my secret desire and write my own book about Jane and me. All I’d need is the “time” to do that while overseeing the projects already listed. The book would include Jane’s simplistically beautiful and brilliantly colored art; also my own quite different art—especially those drawings and paintings of and from my dreams that began to blossom as Seth discussed his dream material. Some of his work is presented in The Early Sessions. In all modesty, I think that my art and its subject matter are unique; that for each one of us dreams are an original and unending source of inspiration and knowledge.

But also, in my own book I’d want to write about my second marriage. Laurel Lee Davies, a native of Iowa, wrote to me from California after Jane’s death in September 1984, She was 29, I was 65. After months of letters and telephone calls we met in Elmira, and kept on developing the intuitive and loving relationship we had already begun. With our strong beliefs in the Seth material our ages and temperamental differences don’t seem to matter all that much. Laurel has been a marvelous help to me for all of the years we’ve been together, just as I’ve tried to help her. I’ve often thought, and hesitantly told her, that I think she saved me after Jane’s passing. And I add that Laurel and I were married at our home on Pinnacle Road in Elmira at 9:30 PM on December 31, 1999 - just in time for the new millennium.