“Seth material” search engine (Jane Roberts)

Now do you have an envelope for me?

(At 9:47, Jane took the envelope double for the 84th experiment from me, her eyes closed, and held it to her forehead in a horizontal position.)

(“Connection with an old car.” Jane feels this refers to a young man, Tom, who works at the Art Shop where I bought the canvas which furnished the object. Jane often runs errands there for me, and Tom, a framemaker, often waits on her. Tom has an old sports car, and not long after I had bought the canvas, he described the car to Jane on one of her visits there, detailing his troubles with it, etc.

(“A window, or indication of an open viewpoint, or station from which activities may be viewed. A high window or exalted viewpoint.” This is excellent data, and refers again to the second-story workroom above the Art Shop. From this room a large plate glass window looks down on West Water Street, and Tom is in the habit of watching the busy activities on the main street below. He has often waved to Jane and me as we walked past. Jane always waves to him whenever she walks down Water Street, which is at least three times a week.

(I pulled it out to view. It was a piece two yards long, and the proprietor of the Art Shop sold it to me for half price; it was just what I had in mind for an experiment, as will be seen. I was very pleasantly surprised to find this canvas there, for I had thought I would have to order it from New York City.

(Jane thinks the paper reference here could refer to the object being sandwiched between the two pieces of cardboard, or Bristol, inside the double envelope; for when she opened the envelopes she at first thought the canvas was glued to one of the pieces of Bristol—probably because she had seen me working out the gluing problem in the studio in recent weeks. My experiment proved to be quite a task, but was successfully accomplished, with the use of polymer waterproof glue.