1 result for (book:tes7 AND session:319 AND stemmed:close)
6/79 (8%)
canvas
linen
Tom
glued
Shop
[... 19 paragraphs ...]
You see, for years Ruburt hid himself from his mother, and as stated earlier he felt that in giving her his book he had opened himself to her. For years he would not wear anything that had been close to her. Then he shoved this feeling away and would not face it.
[... 7 paragraphs ...]
(At 9:47, Jane took the envelope double for the 84th experiment from me, her eyes closed, and held it to her forehead in a horizontal position.)
[... 14 paragraphs ...]
(See page 279 for a copy of the object. As usual I placed it between two pieces of cardboard, then sealed it in two envelopes. Jane’s eyes remained closed as she gave the data. The object is a strip from a piece of linen canvas which I bought a few weeks ago at the Art Shop, in Elmira. Details on this will be given as the data is interpreted. Seth doesn’t discuss the data, and we made our own connections.
[... 16 paragraphs ...]
(“A gasoline connection.” Possibly another reference to Tom’s story about his car. Cars and Tom are rather closely connected. Since his first tale to Jane we have heard subsequent stories about his car, the most recent being how he stripped several gears.
(“Connection with a fabric that somehow seems glued on. Something glued on something, perhaps paper.” This is excellent data, and very close indeed to the object. The object is trimmed from the linen canvas I bought at the Art Shop, and this piece of canvas was glued on to large sheets of Masonite so as to have a firm support—the experiment I had in mind which was referred to later.
[... 8 paragraphs ...]
(“With holes in it, or torn.” Now Seth gets more specific, and again this is excellent data. See page 281 for a copy of the object. Note that the top edge is frayed, appearing to be torn; actually this results from an unraveling after cutting. The cutting took place before the preshrinking. Again, note the holes spaced along the top edge of the object. These are tack holes spaced rather close together around each piece of canvas, because the linen exerts a strong pull when wet; it had to be securely fastened to the Masonite panels, until dry.
[... 8 paragraphs ...]
