“Seth material” search engine (Jane Roberts)

It provides for the deepest spontaneous expression of the subconscious, gives the ego a directive and sense of purpose, and develops the overall abilities of the personality, which in the past were completely denied, for lack of training and out of fear. The poetry was always a part of the psychic nature.

The poetry allows for fullest possible creative expression in the full meaning of the word, art. It also siphons off, expresses and uses subconscious desires and moods and repressions, thus freeing the channels of the personal subconscious so that those deeper areas can find expression in psychic work.

In his case, the two go together and serve each other. The poetic creation, itself art, also serves to free the personal subconscious and to transform personal material into art. The subconscious is thus uncluttered because of the poetic expression, and this helps to make the psychic work possible.

In Ruburt’s years with Zeh, there was severe splitting of the personality. It is not a new thing with him to push aside the subconscious at all. In all cases when he does, an explosion of one kind occurs. His subconscious intuitive self, you see, is extremely vital, alive, and unusually insistent for expression, even for the subconscious which is known for this.

Then, the strong conflict between the ego and subconscious was the result of home environment. He allowed himself no spontaneous expression at home with his mother. This denied, his normal spontaneity exploded when it was allowed opportunity, sometimes in unfortunate circumstances. In panic, the ego then tripled its defenses. He was not capable of loving Zeh or anyone, later. They both knew this and counted upon it. With Zeh, again, Ruburt denied the spontaneous self in normal daily interaction with him; with Zeh. And this denied spontaneous self exploded when and where it could.

Usually this occurred when alcohol relaxed the ego, and the results would then make the ego tighten its control. When Ruburt becomes leery or afraid to allow himself the normal amount of social drinking, this is a symptom, telling you that the subconscious is being too tightly held. The ego fears any weakening, for it feels the pressure of the subconscious demand for expression. You may now take your break. I will try to finish this, this evening, for it will be invaluable.

The conflict between the ego and subconscious, as given, was symbolically expressed in the tying of the hand symptoms. He was tied in knots, hence the swollen joints. There is a line from a poem of his, written years ago, in a period of stress, “If I can’t move one finger, how can the whole soul rise?" from his dance floor poem.

Understanding of these conflicts will go a long way to ease the symptoms. The stiff neck, when it occurs—the neck quite literally expresses the rigidity of attitude. It is easier for him to withdraw than it appears. In this case, however, the subconscious recognized the danger and symbolically expressed through the organism, the ego’s intent. The symptoms therefore were therapeutic in nature, in that their purpose was the solving of the dilemma.