“Seth material” search engine (Jane Roberts)

A yellow square. Black print or lettering or writing in a right-hand corner, extending outward toward the center.

B. And a G. A distant Minneapolis, Minnesota connection I do not understand. A long word, at least, that looks like that. Or Mississippi or such. With some foreign element, it seems, connected with the word. This leads Ruburt, now, toward a connection with the woman with whom she works.

(“Black print or lettering or writing in a right hand corner, extending outward toward the center.” See page 230. Jane said this data is correct, in that it referred to the Brooklyn Museum and Caroline Keck by name on the object, in the upper left corner. To Jane, this reading matter does project toward the center of the object.

(“This leads Ruburt, now, toward a connection with the woman with whom she works.” This is valid data, we believe. Jane’s present working situation is much like that she worked in at the gallery in July-August 1964. Now, as then, she worked with a woman superior. Both women had M initials also for the last name—Masters at the Gallery, Methinitus now at the nursery school at the Jewish Community Center.

(“The other man, a friend rather than a relative.” Here Seth, or Jane, veers toward Bill Gallagher again, it seems. I had not met either Caroline or Sheldon Keck, nor Larry who was in Brooklyn.