“Seth material” search engine (Jane Roberts)

(The second session was held at our apartment Friday evening, December 30, with Jane and me, Wesley Swan, Bill Macdonnel, Pat Norelli and Claire Crittenden present. Seth discussed computers and their future use; Wesley Swan agreed with the data. Seth also gave a good deal of personal data concerning a Brian Houlihan, a friend of Pat’s and some data concerning Claire and Pat, and answered questions from all of us. Evidently a good amount of the data was correct, being called so by Pat and Claire, although without notes we cannot check. One interesting bit: Seth named Claire’s birthday correctly—as falling on February 13, but missed the year by one. He said 1948 when the correct year is 1947.

Four plus one, and an equalization, or equal elements of design. Connection with a 1962 date, or 1964, or both. A connection with a telephone call, and a stone framework. Rocky. And a JB.

A connection with light. Several small letters or numbers, and a stamped card, from a distant place. A hole in one. I do not know if this is a golf connection or to what it refers.

(Pause.) It seems to be an old book. A bound one, with a dark color such as brown on the cover. The side of pages when the book is closed seem dusky in color, like old gold color. The book having a connection with a desk, and another location.

(“Four plus one, and an equalization, or equal elements of design.” No connections for four plus one.

(“A hole in one. I do not know if this is a golf connection or to what it refers.” We know of no literal connection here. We speculate that it might refer to the Keck’s job as painting conservators, to repair damaged art.

(1st Question: What’s that connection about a book? “It seems as to be an old book. A bound one, with a dark color such as brown on the cover. The side of pages when the book is closed seem dusky in color, like old gold color. The book having a connection with a desk, and another location.” Again, distortion. Jane said that here she confused old paintings and old gilded frames, such as the Kecks worked with at the Arnot, with old books. Quite possibly the book is Louis Pomerantz’s modern one, as described. The cover of this book is a rusty red. Also it may have laid on a desk, and it was sent to Jane from another location—Brooklyn, NY.